Terpsycordes Quartet, 2012

Tour Dates: 15 Mar - 26 Mar, 2012


Ticket Information:

17 March,  National Centre for the Performing Arts,   010-66550000
18 March,  Dalian Development Area Grand Theatre, 0411-87935611
22 March,  Shanghai Oriental Art Center,  021-68541234
24 March, Cultural Weekend Theatre, Dongguan, 0769-22124089

Girolamo Bottiglieri, first vioin
Raya Raytcheva, second violin
Nathalie Sophie Vandebeulque, viola
François Grin, cello

A prism of musical repertoires, a diverse approach, a kaleidoscope of personalities; these are the many facets that combine to make up the unique character of Terpsycordes Quartet – at once homogenous and diverse.

Terpsycordes Quartet has won distinction at many international competitions, including first prize at Geneva International Music Competition, in 2001. The Ensemble has succeeded in radiating its quadruple talent into Europe as a magical blend of harmonious and complementary artists who are innovative and bold in their interpretation.

Terpsycordes Quartet, based in Geneva and founded in 1997, was taught by Gabor Takács-Nagy before being coached by notable members of the Budapest, Hagen, Lasalle and Mosaïques Quartets. Drawing vitality from their contrasting origins, Italy, Bulgaria and Switzerland, Terpsycordes members offer dazzling concerts to audiences of major concert seasons and festivals around the globe.

Both on stage and in the recording studio, Terpsycordes assert their eclecticism. Their recordings, all acclaimed by specialized press, reflect a determination to get to the heart of each piece they play – combining both rigour and fantasy. Terpsycordes' discography includes: Death and the Maiden by Schubert, discovered for the very first time on period instruments (Ricercar); Schumann, Opus 41, and Haydn Opus 33, sharply in focus, also including contemporary works by the Swiss composer Gregorio Zanon (Claves); and Haydn once more, with an album of the Seven Last Words of Christ on the Cross (Ricercar).

The muse Terpsichore is the Quartets constant inspiration. She is music's daughter who links the Earth and the spirit: Terre (earth), psy (spirit), cordes (strings).

Special Thanks to:

 
 
collagebuatchinaclassic

The traditional music of China dates back to the dawn of Chinese civilization and a well-developed musical culture was established as early as the Zhou Dynasty (1122 BC – 256 BC). Today Chinese traditional music continues a rich traditional heritage while developing into a more contemporary form for the world audience. Wu Promotion has been dedicated to promoting Chinese traditional music to the world for over a decade. Since the first Grand Chinese New Year Concert in 1998 in the Vienna Musikverein, featuring the best traditional orchestra of China, the concert has developed into an annually renowned cultural event in Europe.

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classic music

Classical music in China is thriving with the rapid development of the Chinese economy. With millions of Chinese children now studying classical instruments, China will soon become the largest source of classical music in the world. Particularly, influenced by the nurturing of the classical music scene, China is growing its number of accomplished orchestras and talented artists. Wu Promotion is proud to represent these individual artists and groups as they step onto the world stage of classical music.

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acrobats2012

With 2500 years of history, acrobatics originated from China as performing arts since the Han Dynasty. It requires extraordinary feats of balance, agility and motor coordination.


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dance and theatre

Chinese opera and dance, such as Peking Opera and Kun Opera are the most representative and oldest forms of performing arts in China. Originating from many different areas, dialects and ethnic groups, they have developed different musical structures. Most of the productions are featuring classical stories which are considered to be the intangible artifacts of Chinese history during particular eras. Today many forms of Chinese dance and theatre are less known internationally. Wu Promotion is striving to preserve the great Chinese performing arts and promote them to the world audience.

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